When Characters Refuse to Stay Secondary: The Day One Draft Split Into Three Lives

Some stories begin with a single spark. For me, it was a scene in a psych ward where Nico and Zibby from The Cartography of First Love found themselves alongside Abigail Whimsy from Whimsy and Bliss and Aspen James from Shadows We Carry. At first, they shared the same space—four voices pressed together by circumstance, four fragile hearts mapping escape routes in whispers. But as I wrote, each one began to grow beyond the walls I had built, demanding not just a role in a shared narrative but the full breath of their own.

What began as one writing endeavor quickly branched into three novels. I realized I loved each of them too much to let them be shadows in someone else’s story. Nico and Zibby’s romance needed its own compass. Whimsy’s dreamlike adventures deserved to unfurl before her diagnosis became part of her arc. And Aspen’s haunted sketches needed the weight of silence and discovery only their own narrative could hold. By giving them individual pages, I gave them the freedom to tell me who they really were.

The backstories I first drafted in that shared ward became scaffolding—notes, fragments, hints of a life I would later let bloom fully. For Whimsy and Aspen, I wrote them at a point before hospitalization, while their lives were still luminous with magic and not yet marked by diagnosis, though Whimsy’s epilogue eventually folds that thread in. It was the only way to honor their wonder as much as their struggle. For Nico and Zibby, I leaned into the familiar rhythms of the ward itself—the routines, the hush, and the clamor—because their love story was inseparable from that claustrophobic yet strangely tender landscape.

Each character is close to my heart because their beginnings trace back to my own. I was hospitalized repeatedly between the ages of 13 and 15 for an eating disorder. I remember the unlikely friendships, the long hours, and the way we mapped impossible escape plans—California always our imagined salvation. Those memories, both heartrending and inspiring, found new breath through Zibby, Nico, Whimsy, and Aspen. What started as one shared room became three worlds, each carrying a piece of that past and reshaping it into a story.

Book review: Wintergirls by Laurie Halse Anderson

Viking, 2009

Wintergirls is a harrowing novel that follows eighteen-year-old Lia Overbrook as she comes to terms with her best friend’s death from anorexia as she struggles with the same disorder. This gripping novel about the eating disorders that make them compete to be the skinniest is a painful, powerful story that is ultimately about recovery.

After the news of her friend’s death, Lia begins to spiral into her eating disorder, doing her best to hide it from her father and stepmother. Throughout this, Lia is haunted by the ghost of Cassie. This book is very intense as it deals with difficult themes to understand and read.

This book was both a harmful and beautiful experience to read. It is definitely triggering, but also offers a sense of grounding in knowing that you’re not the only one out there who has these deathly demons.

It doesn’t embellish upon the thoughts that run through one’s mind, instead reveals the inability to process that the disorder really is as dark and disturbing. Laurie Halse Anderson did a good job capturing the terror and internal battle one has to deal with when faced with a deathly disorder, and I was also engrossed at how it brings the competitiveness of such disorders to light. In addition, the writing and stylistic choices are interesting and add to the theme.